三维CG艺术短片 C4D｜景观闹剧 Spectacle Farce

作品简介：

现代生产条件无所不在的社会，生活本身展现为景观的庞大聚积，直接存在的一切全都转化为一个表象。这是居伊德波在1967年提出的景观社会的哲学体系，而在现代图像信息爆炸的今天，景观像是预见性般的彻底成为了现实常态。我们试图使用荒诞、诙谐的异轨化景观漂移重构，将日常化被景观奴役的时刻超现实重现，以此作为进入21世纪情景主义国际的门票。我们生于景观，忠于景观，并且还是景观的积极拥护者，而且我们绝对无法只身阻挡社会异化的洪流，逃脱景观铺天盖地的控制。但是我们使用3d影像作为媒介，通过制造景观的方式，搭建一个个景观式的小舞台，组成社会化的景观大狂欢。将日常生活进行超现实转译，建构出以景观反景观的“矛盾”新情境，借此作为人们夺回独立思考、本真欲望控制权的助力。

In a society where modern production conditions are ubiquitous, life itself appears as a huge accumulation of spectacles, and everything that exists directly is transformed into a representation. This is the philosophical system of the society of the spectacle proposed by Guy Debor in 1967. Today, with the explosion of modern image information, spectacles have completely become the norm in reality. We try to use the absurd and humorous alienated spectacle drift reconstruction, to reproduce the surreal moments of daily enslavement by the spectacle, as a ticket to the 21st century situational international. We were born in the spectacle, loyal to the spectacle, and active supporters of the spectacle, and we absolutely cannot stop the torrent of social alienation alone and escape the overwhelming control of the spectacle. But we use 3D images as a medium, and build a small spectacle-like stage by creating a spectacle to form a socialized spectacle carnival. The surreal translation of daily life creates a new "contradictory" situation where the spectacle is opposed to the spectacle, which serves as an aid for people to regain independent thinking and control over their true desires.

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