普宁英歌
北京/插画师/196天前/9浏览
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普宁英歌
英歌的历史可追溯至明清时期,一说与古代傩舞驱邪祈福的仪式相关,另一说源自《水浒传》中梁山好汉化装攻打大名府的故事,体现了民间对英雄精神的崇拜。英歌不仅是潮汕的文化瑰宝,更是中华文明的精神符号。在全球化语境下,传播英歌既是对传统文化的守护,也是构建文化自信、促进文明对话的重要实践。通过多元化的传播路径,这一古老艺术将持续焕发新生,为世界文化图景注入中国色彩。
其表演形式:
- 角色与装扮:表演者面绘戏曲脸谱,身着武士服饰,分“前棚”(梁山好汉)和“后棚”(民间杂耍)。领舞者“头槌”“二槌”多扮演李逵、武松等角色。
- 动作与节奏:舞者双手持短木槌(或徒手),伴随锣鼓点,以“横槌”“斜槌”等动作展现武术套路,步伐铿锵有力,队形变化复杂,如“双龙出海”“麦穗花”等。
- 文化内涵:融合了驱邪纳吉、尚武精神、宗族团结等寓意,是潮汕民俗活动(如春节、游神赛会)的核心内容。
因此,吸取表演者
戏曲脸谱
及
服饰
的
图案和颜色
,运用跳
英歌舞
是的
动作
,
IP形象及logo
。同时加入
书法笔触
作为logo设计的细节,以此体现英歌舞传统文化的重要性设计出本套设计的。
🔴原创不易,🚫请勿盗用二改商用,🚫未经许可禁止转载
Its performance form:
• Roles and Costumes: Performers paint operatic facial makeup on their faces and wear warrior costumes. They are divided into the "front shed" (heroes of Liangshan) and the "rear shed" (folk acrobatics). The leading dancers, the "first mallet" and the "second mallet," often play roles such as Li Kui and Wu Song.
• Movements and Rhythms: Dancers hold short wooden mallets in both hands (or perform bare-handed). Accompanying the beats of gongs and drums, they display martial arts routines with movements such as the "horizontal mallet" and the "oblique mallet." Their steps are sonorous and powerful, and the formations change complexly, such as the "Two Dragons Emerging from the Sea" and the "Wheat Ear Flower."
• Cultural Connotations: It integrates the meanings of exorcising evil spirits and welcoming good luck, the spirit of martial valor, and clan unity. It is the core content of Chaoshan folk activities (such as the Spring Festival and the God Parade).
Therefore, by drawing on the patterns and colors of the performers' operatic facial makeup and costumes, and using the movements of the Yingge dance, the IP image and logo are designed. At the same time, calligraphy strokes are added as details in the logo design to reflect the importance of the traditional culture of the Yingge dance, thus creating this set of designs.
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