TAIPEI FUBON BRAVES | ANIMATION & MASCOT REDESIGN
台北/动画师/2年前/12516浏览
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TAIPEI FUBON BRAVES | ANIMATION & MASCOT REDESIGN
台北邦勇士篮球为2021–22年赛季年度总冠军，Knock-Knock 动画的轴承工作是球队的吉祥物-BILL，设计升级版的2022新形象，同步为新赛季设计专属的主题动画，让信念与力量直接推进连霸之路。
The TAIPEI FUBON BRAVES basketball team is the champion of the year for the 2021-22 season.
Knock-Knock Animation's first task is to design a new, upgraded version of the team's mascot, BILL, for the 2022 season, along with an exclusive theme animation for the new season, to give the team the belief and power to push straight to the championship.
MASCOT REDESIGN
吉祥物 - BILL，初版比例是美式写实主导，考量到未来延伸的动画，媒体应用与产品延伸，将比例设计成粘土人方向的设定，但为了还是保有他的帅度，比例上的调整其实是很评估的，最终才设计定案在以上版本。
The initial scale of the mascot, BILL, is mainly American realistic. In consideration of the future extension of animation,
media applications and product extensions, the scale was designed in the direction of Nendoroid, but in order to retain his handsomeness, the proportion was actually adjusted very slightly before the final design was finalised in the above version.
BILL 定案版 - 将线条保留在最简洁的状态，保留头部篮球线条与胸部B之logo，
强化肩膀线条，与增加手套与靴子上之局部发亮光线，让力量/帅气/现代感 取得三为一体的平衡。
BILL final version - Keeping the lines minimal, retaining the head basketball line and the B logo on the chest. The shoulder line has been strengthened and the gloves and boots have been given a partial shine, giving a balance of power, coolness and modernity.
战事的第一版对手 - 骷髅人。经综合评估后，第一个对一些担心族群上的偏好问题，
第二点骷髅形象太突出，可能会在视觉秒数的短视频中太吸引人的投入，因此需要再设计另外一种能保护有设计又隐蔽的对手。
The first version of the opponent - the Skeletons. After a comprehensive evaluation, the first part of the design was concerned with ethnic preferences. Secondly, the visual image of the skeleton was too prominent and might attract too much attention
in the short seconds of animation.
POSE DESIGN
SCENE DESIGN
场景设计有两个重点 - 简洁与数位。
因为BILL全身几乎都是黑色为主色，亮色背景会让我们觉得很没有气氛感，暗色背景又很容易埋没在暗部中，在场景中我们以光的线条为主设计勾勒出数位感，让暗部上也设计了次等graphic线条做细节上的辅助，最后再加上赛场上环状地投影的时间广告与环场的动态广告，整个设计就趋近完成，最后搭配费心的光线设计，氛围感终于达成最理想的样子。
There are two key points in the scene design - simplicity and digital.
As BILL is almost entirely black, we felt that a bright background would be very uninspiring, while a dark background would be easily buried in the darkness. Finally, with the addition of a circularly projected time advertisement and a dynamic advertisement around the course, the whole design is almost complete, and finally with the painstaking light design, the atmosphere is finally ideal.
STYLEFRAME
CREDIT
Client：TAIPEI FUBON BRAVES
Production DEPT.：Knock-Knock Animation 諾恩動畫
Director：莊絢淳
Design & Animation： Knock-Knock Animation 諾恩動畫
3D Character Redesign : 莊絢淳
Character Modeling : 莊絢淳
Character Texture : 莊絢淳
Character Rigging : 陳捷夫
Character Pose Design : 莊絢淳
/
Story Of Animation ID：莊絢淳
Storyboard Of Animation ID：莊絢淳
Scene Design & Modeling : 莊絢淳
Scene Texture : 莊絢淳 / 陳捷夫
Layout : 莊絢淳
Animation : 莊絢淳
Lighting : 莊絢淳
VFX : 陸繼輝
Render : 莊絢淳
Compositing : 莊絢淳
/
聲音與配樂統籌 Sound and Music Supervisor :
燒聲娛樂實驗室 SoundME Studio
原創配樂 Original Music Composer : 陳立唐 Li-Tang Lewis Chen
聲音設計/ 混音 : Sound Designer / Re-recording Mixer : 張易婷 Mei Yi-Ting Chang
/
Special Thanks : Queenie
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