YO!有馆·轰趴｜耶兔兽设计
上海/室内设计师/2年前/14667浏览
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YO!有馆·轰趴｜耶兔兽设计
奇幻轰趴，时空旅行
Fantastic roar, time and space travel
一场派对，三场剧目。
A party, three plays.
「YO!有馆」轰趴空间的故事主题以顾客为第一视角贯穿全程，通过”表演”， “逃离”，“做梦”的三个故事线分成不同视角的空间，演绎出一个如平行宇宙般的乌托邦。摆脱外界的各种标签和压力，在这里，此时此刻，请做自己，请尽情的享受派对带来的欢快和愉悦。
The story theme of "YO! You Guan" in the bustling space runs through the entire process from the customer's first perspective. Through the three storylines of "performance", "escape", or "dreaming", the space is divided into different perspectives, interpreting a utopia like a parallel universe. Get rid of various labels and pressures from the outside world. Here, at this moment, please be yourself and fully enjoy the joy and joy brought by the party.
接下来，请选择你想进入的游戏房间，GAME START。
Next, please select the game room you want to enter, GAME START.
有馆摩登剧场
Chapter.1
复古电影狂欢夜
/
Retro Movie Carnival Night
本次空间故事落于摩登的黄金年代。进入剧场，音乐奏响，派对开始，我们仿佛逃离现实世界，回到那个快乐自由、释放自我的鎏金岁月，进入到剧院的每一个人都是“迷人的表演艺术家“，在这里我们演绎着属于自己的欢快俏皮假日时光，感受自己全新而美好的自由灵魂。
The story of this space first falls in the golden age of modernity. Entering the theater, the music plays, and the party begins. We seem to escape from the real world and return to that happy, free, and self releasing golden age. Everyone who enters the theater is a charming performing artist, where we perform our own joyful and playful holiday time, and feel the brand new free soul of our beautiful future.
从门头依次进入的走廊根据复古剧院的主题设计为有馆杂志亭，杂志亭典型的折叠窗应用在走廊尽头、包厢墙面，折射包间内的娱乐氛围，增加了不同空间功能之间的互动性；细节上，满墙装饰性报刊、CD、游戏牌等，丰富了空间的电影式戏剧感，复古配色结合有馆风格，加深品牌符号的张力感。
The corridors that enter the private room sequentially from the front entrance are designed with a magazine pavilion based on the theme of the retro theater. The typical folding windows of the magazine pavilion are applied at the end of the corridor and on the walls of the private room, reflecting the entertainment atmosphere inside the private room and increasing the interactivity between different spatial functions; In terms of details, the walls are filled with decorative newspapers, CDs, and cork board notes, which enrich the cinematic sense of the space. The combination of retro color schemes and museum designs enhances the tension of the brand symbol.
前台窗口运用了老剧场售票窗的概念，经过现代的表现手法，以趣味的方式呈现在入口的窗口，在原墙做软装搭配。
The front desk window adopts the concept of an old theater ticket window, and through modern expression techniques, it is presented in a fun way at the entrance window, with soft furnishings on the original wall.
拐角处的小娱乐间在小区域运用阵列的设计手法以及韦斯安德森的秩序性构图美学。直线的框架，几何化立体构图，直线阵列感依次排列，营造出空间连续性的美感，以及一种莫名的跳跃与稳定之间的心理平衡，这种和谐与平衡的美感，使体验在其中的顾客身处于仿佛精心设计的艺术画面中。
The small entertainment room at the corner utilizes array design techniques and Wes Anderson's ordered composition aesthetics in the small area. The framework of straight lines, geometric three-dimensional composition, and the sequential arrangement of linear arrays create a sense of spatial continuity and a psychological balance between inexplicable jumping and stability. This harmonious and balanced beauty puts customers experiencing it in a carefully designed artistic picture.
黄金电影年代最不可缺少的便是舞台，舞台之上，摆脱束缚，尽情投入。该片区域以舞台布缦的形式，将空间划分，划分做生日会或者其他主题的场景氛围的功能属性，入口走廊是剧院的场次时间展示表，整个视觉既跳出实用主义空间的功能性，又给予视觉的惊喜冲击与轻松活泼的自由气息。
The most indispensable thing in the golden age of cinema is the stage, where one can break free from constraints and fully immerse themselves. The area of this film is divided in the form of stage layout, with the functional attributes of creating a scene atmosphere for birthday parties or other themes. The entrance corridor is the time display table of the theater, which can not only break away from the functionality of practical space, but also give visual surprises and a relaxed and lively atmosphere of freedom.
私密休闲区，在空间视角上无论大小，都呈现出考究的黄金分割与对称性构图。复古沙发、精致茶几、装饰画、有温度的材质都在细节处增加了舒适的复古感。
The private leisure area, regardless of its size, presents a sophisticated golden ratio and symmetrical composition from a spatial perspective. Retro mirrors, small wall lamps, decorative paintings, and warm materials all add a comfortable retro feel to the details.
剧场的空间将韦斯安德森的电影场景美学运用到极致，设计师利用走廊进入大套房这段原始拱形窗结构，搭建出对称性的两个大拱形窗，结合复古沙发，原文书籍等软装，形成优雅而复古的极致对称艺术、戏剧创意的剧院式场景氛围。跟着镜头，一步步走向电影的内核。
The space of the theater takes Wes Anderson's film scene aesthetics to the extreme. The designer uses the original arched window structure of the corridor to enter the large suite, and builds two symmetrical arched windows. Combined with retro sofas, original books, and other soft furnishings, it forms an elegant and retro ultimate symmetrical art and theatrical creative theater style scene atmosphere. Follow the camera step by step towards the core of the movie.
该空间运用韦斯·安德森复古美学风格，通过简洁的构图分割空间，平衡空间建筑感和艺术感，用独特明亮且复古的色彩和元素，打造一个复古和摩登交织的时代。
The space in this film adopts Wes Anderson's retro aesthetic style, dividing the space through simple composition, balancing the architectural and artistic sense of the space, and creating an era of retro and modern interweaving with unique bright and retro colors and elements.
台球娱乐区域的娱乐性通过扁平化的图形软装与置景元素最大化，与此同时，结合灯光做明显亮化处理，打造了一个小空间的舒适感的灯光氛围。
The entertainment value of the billiards entertainment area is maximized through flat graphic soft furnishings and landscape elements. At the same time, combined with obvious lighting treatment, it creates a comfortable small space and a lighting atmosphere that can be played for a long time.
用软装陈列的方式，突出空间墙面细节，从所有细节设计上将品牌内容和沉浸式场景联合在一起为空间体验发力。
By using soft furnishings for display, highlighting the details of the space wall, and combining brand content and immersive scenes from all detail designs to contribute to the space experience.
主题包厢的KTV仿佛是剧场的VIP看台包厢，设置成大咖专坐的舒适环境，追溯到那个年代上流社会的私人环境，环绕着的丝绒帘布让该空间更具有松弛的体验氛围，结合不同高度的光，就像伴随剧场落幕和表演时有不同灯光氛围一般沉浸式体验上流阶层的价值感。
The KTV in the themed private room is like a VIP stand box in a theater, set up as a comfortable environment for celebrities to sit in. It can be traced back to the private environment of the upper class society in that era, surrounded by velvet curtains that give the space a more relaxed experience atmosphere. Combined with different heights of light, it is like an immersive experience of the value of the upper class with different lighting atmospheres accompanying the end of the theater and performance
Chapter.2
星际逃离列车
/
Interstellar Escape Train
故事的第二笔设定在未知的若干年后，地球上的工作压力生活压力越来越大，人类对太空殖民地的狂热幻想，展开星际逃离计划，打造未来列车，开启一场和朋友一起的逃离计划。
The second plot of the story is set in unknown years, where the pressure of work and life on Earth is increasing. Humans are fanatically fantasizing about space colonies, embarking on an interstellar escape plan, building a future train, and embarking on an escape plan with friends.
空间能够在一定的space age风格的家居用品的搭配中直接形成超出常规的创新感和设计感。复古橙色融合不锈钢以及米色营造出简约而舒适的空间格局，给空间带来明亮的第一视觉观感。
combined with the theme atmosphere to create the cabin door, allowing the space to directly form a sense of innovation and design that goes beyond convention in the combination of certain space age style household items. The fusion of retro orange stainless steel and beige creates a simple and comfortable spatial pattern, bringing a bright first visual impression to the space.
该区域利用元素提取的方式，构建一个穿梭时空的未来列车神秘空间。从未来的时空里提取出实验室般的灯具造型，仪表仪器，弧线形的未来感家具，并结合曲线、弧线形等元素扩大了空间感。
This area utilizes element extraction to construct a mysterious space for future trains traveling through time and space. Extracting laboratory like lighting fixtures, instruments, and curved futuristic furniture from the future time and space, and combining elements such as curves and arcs to expand the sense of space.
游戏区域设计成列车驾驶舱的氛围，倾斜处理的墙面和装饰性文案元素，带来一种正在穿越时空隧道的舱体体验感。
The game area is designed to create an atmosphere of a train cockpit, with sloping walls and decorative copywriting elements, creating a cabin experience that is traversing a time and space tunnel.
该区域基于人类对宇宙最初始的幻想画面，构筑流线型的舒适度于“未来感”，几乎所有设计，弧线形窗、球体灯相关的几何形状，贯穿于空间结构、界面及家具的设计表现。在细节处，都规避了带压迫感的硬角，光面的表面加流体形状，呈现出经典科幻电影太空舱画面。
This area is based on the earliest human fantasy of the universe, creating a streamlined comfort and futuristic feel. Almost all designs, including curved windows and spherical lights, run through the spatial structure, interface, and furniture design. In terms of details, hard corners with a sense of pressure are avoided, and the smooth surface with fluid shapes presents a classic sci-fi movie spaceship scene.
桌椅区域延用一块最简单的单色LED屏幕，开启了空间的“数字-模拟-未来“的氛围设计，最简单的元素也是最具代表性的元素是人类对数字化未来的抽象画表达，动态变化的形式带来强烈未来感氛围，激发了顾客对轰趴体验前所未有的沉浸与幻想。
The table and chair area continues to use the simplest monochrome LED screen, opening up the atmosphere design of "digital simulation future" in the space. The simplest and most representative element is the abstract painting expression of human beings towards the digital future. The dynamic and changing form brings a strong futuristic atmosphere, inspiring customers to immerse and fantasize about the tumultuous experience as never before.
整体的设计大量体现在成品的太空时代感家居，组合与搭配中蔓延出一个令人遐想的未来感空间，在轰趴馆设计中呈现出创造性的突破革新。
The overall design is largely reflected in the space age feel of the finished home, with a futuristic space spreading out through combination and matching, presenting creative breakthroughs and innovations in the design of the Happy Valley.
KTV区是整个“逃离计划”过程中感觉最舒适安心的场所。其切入了小休息舱的视角，金属感的家具与未来感的曲线都呼应了空间柔软，结合有馆的品牌内容延伸趣味性设计，形成太空舱体内的打卡背景墙。
The KTV area is the most comfortable and reassuring place during the entire escape plan process. It cuts into the perspective of the small rest cabin, where the metallic furniture and futuristic curves echo the softness of the space. Combined with the brand content of the museum, it extends the fun design, forming a check-in background wall inside the cabin.
太空时代的设计饱含了人类对未知的外太空的好奇心和探索欲,，是一场对未来的白日幻想。设计风格可以将空间感扩大，车舱外就是整个宇宙，在节奏飞快的城市，有馆的这个概念体验空间就像一个能屏蔽外界信息，感受幻想中的快乐的体验空间。
The design of the space age is full of humanity's curiosity and desire to explore the unknown outer space, and it is a daydream about the future. The design style can expand the sense of space, and the outside of the cabin is the entire universe. In a fast-paced city, the concept of a museum experience space is like a space that can block external information and feel the joy of fantasy.
梦游·幻想乐园
Chapter.3
现代乌托邦
/
A Modern Utopia
故事的第三幕拉开帷幕：在一个宁静祥和的夜晚，年轻的梦游者进入这场奇幻梦境，置身于一座梦幻乐园之中，家具变得奇妙和可爱，漫游其中尽是治愈和柔软，这是一个用想象力为画笔，创造力为画布的现代乌托邦。
The third act of the story begins: on a peaceful and serene night, a young sleepwalker enters this fantasy dream and is immersed in a dreamland. The furniture becomes wonderful and lovely, and wandering through it is full of healing and softness. This is a modern utopia that uses imagination as the brush and creativity as the canvas.
通过艺术性的装饰品、奇妙家具的点缀、多变的色彩，不仅划分了特色空间，将各个娱乐的功能巧妙的融合其中，更增添了室内环境的奇幻动感、与治愈艺术感。
Through artistic decorations, wonderful furniture embellishments, and diverse colors, not only have distinctive spaces been divided and various entertainment functions cleverly integrated, but the indoor environment has also added a sense of fantasy and healing art.
采用简单的几何形状，如方形、圆形和直线，来定义建筑的基本形态，使建筑的形式简单和立面变得更加清晰。
Using simple geometric shapes such as squares, circles, and lines to define the basic form of the building, making the form of the building simpler and the facade clearer.
休闲沙发区域的色调搭配柔和而明媚，融入具有幻想故事的曲线元素，赋予空间艺术的观感和治愈的情绪。
The color scheme of the control desk leisure sofa area is soft and bright, incorporating curve elements with fantasy stories, giving the space an artistic appearance and healing emotions.
该区域运用夏洛特·埃迪的柔和超现实主义，在看似熟悉亲切的寻常事物在设计手法下超越了现实，来到年轻消费者的幻想空间。每一处的道具设计精致小巧但不失趣味，治愈温暖但充满想象力，这一风格正疗愈当下年轻世代的时代焦虑。
This area utilizes Charlotte Eddie's soft surrealism, transcending reality and entering the fantasy space of young consumers through design techniques of seemingly familiar and familiar ordinary things. The props in each place are exquisitely designed and small yet entertaining, healing warmth but full of imagination. This style is healing the anxiety of the younger generation in today's era.
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Project Name：
YO！有馆·轰趴
Design Company：
上海耶兔兽设计咨询有限公司
Location：
上海普陀区丹巴路99号苏宁·天御国际广场B1座201
Design Team:
王申 董青 刘亚楠 陶金鑫 王思怡 郑莹
Area：290m ²
Main materials
：艺术涂料、砖、玻璃
Photographer：
王可
Furniture production：
一然一物 韵智捷家具
Completion cycle：
2023.11
145
Report
声明
276
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