《数·绣》——赵璐、张儒赫、孙艺嘉、杨司奇、董佳林

本作品立足于信息可视化的数字媒体艺术语境下，共收集200组刺绣作品，通过提取、分析、创新结合新媒体方式，使满族纹样能够便于在互联网上进行传播，使观众在信息时代下，可以通过手机、电脑等媒介方便快捷的了解到满族刺绣这一传统非物质文化遗产。作品的初衷是希望可以帮助作为辽宁传统技艺的满族刺绣能够更好的传承与创新，获得新的表现力和生命力，被越来越多的年轻人关注，了解，甚至重视；也希望通过新媒体创新的方式可以让更多的人看见非遗、感受传统文化之美，尽自己所能去保护包括满族刺绣以外的任何的传统技艺，使其能在信息时代当中穿针引线，编织出属于辽宁的视觉篇章，用科学的情怀的有文化的方式讲述属于我们的有温度的中国故事。

This work is based on the context of information visualization in the digital media art, collecting 200 set of embroidery works, through extraction, analysis and innovation combined with new media, the manchu patterns can facilitate is spread on the Internet, and under the information age, the audience can through mobile phones, computers and other media convenient and quick to learn manchu embroidery is a traditional non-material cultural heritage.The original intention of the work is to help Manchu embroidery, as a traditional skill in Liaoning Province, to be better inherited and innovated, to gain new expression and vitality, and to be concerned, understood and even valued by more and more young people.Also hope that through the new media innovation way can let more people see the heritage, feel the beauty of the traditional culture, can try their best to protect including manchu embroidery than traditional techniques, make its can drive in the information age, weave belongs to the visual text of liaoning, with scientific feelings of a culture belongs to our temperature Chinese story.