OPPO Find X

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<br>THE FUTURE HOLDS COUNTLESS POSSIBILITIES<br>未 来 有 多 少 种 可 能<br><br>HUMAN BEINGS HAVE MANY DESIRES<br>人 类 就 有 多 少 欲 望<br><br>GREED CAUSES US TO GET LOST IN OURSELVES<br>贪 婪 让 我 们 迷 失 自 我<br><br>SIMPLIFY, ELIMINATE THE UNNECESSARY DETAILS<br>化 繁 为 简  减 去 不 必 要 的 琐 碎<br><br>AND RETURN TO THE PURE AND SIMPLE<br>回 归 最 纯 粹 的 简 单<br><br>EXPLORE LIFE’S VIBRANT BEAUTY<br>探 寻 生 命 之 静 美<br><br>BREAK THE RULES, FIND THE FUTURE<br>打 破 既 定 规 则<br><br>FIND X, FIND MORE<br>探 寻 未 来<br><br><br><br>


THE FUTURE HOLDS COUNTLESS POSSIBILITIES
未 来 有 多 少 种 可 能

HUMAN BEINGS HAVE MANY DESIRES
人 类 就 有 多 少 欲 望

GREED CAUSES US TO GET LOST IN OURSELVES
贪 婪 让 我 们 迷 失 自 我

SIMPLIFY, ELIMINATE THE UNNECESSARY DETAILS
化 繁 为 简 减 去 不 必 要 的 琐 碎

AND RETURN TO THE PURE AND SIMPLE
回 归 最 纯 粹 的 简 单

EXPLORE LIFE’S VIBRANT BEAUTY
探 寻 生 命 之 静 美

BREAK THE RULES, FIND THE FUTURE
打 破 既 定 规 则

FIND X, FIND MORE
探 寻 未 来



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In my articulation of the connection between reality and abstract graphics, I’ve attempted to reduce complexity to its essence. I’ve long thought that a futuristic world wouldn’t evoke adjectives like “dark” or “ominous”, but possibly “light” and “pure”, which describes an organic integration of extreme technological force and natural humanity.<br><br>我试图去寻找物理世界与抽象图形的联系,简化复杂而显现其本质。我一直认为未来不会只是黑暗或者硬核的模样,或许“白”和“纯粹”也是一种答案,那种极度发达的科技与我们人类的自然文明的结合。<br>

In my articulation of the connection between reality and abstract graphics, I’ve attempted to reduce complexity to its essence. I’ve long thought that a futuristic world wouldn’t evoke adjectives like “dark” or “ominous”, but possibly “light” and “pure”, which describes an organic integration of extreme technological force and natural humanity.

我试图去寻找物理世界与抽象图形的联系,简化复杂而显现其本质。我一直认为未来不会只是黑暗或者硬核的模样,或许“白”和“纯粹”也是一种答案,那种极度发达的科技与我们人类的自然文明的结合。
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The subject of this chapter is “Find”. I’ve tried to allow the figure to perform more instead of using it as a mere compositional element, in the hope that it would make the whole film feel closer to the audience and elevate its theme.<br><br>这一章的主题是「找寻」,我尝试赋予角色更多的表演,而不是把它放在那里故作姿态,并希望可以借此打破它与观者的距离,让故事变得更加深刻。<br>

The subject of this chapter is “Find”. I’ve tried to allow the figure to perform more instead of using it as a mere compositional element, in the hope that it would make the whole film feel closer to the audience and elevate its theme.

这一章的主题是「找寻」,我尝试赋予角色更多的表演,而不是把它放在那里故作姿态,并希望可以借此打破它与观者的距离,让故事变得更加深刻。
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The removal of the black stripe broadens the view, just as OPPO’s removal of the phone bezel.<br>打破遮幅让视野变得更加开阔,就像超全面屏给人的感觉。<br>

The removal of the black stripe broadens the view, just as OPPO’s removal of the phone bezel.
打破遮幅让视野变得更加开阔,就像超全面屏给人的感觉。
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<br><br>B   E   H   I   N   D     T   H   E     S   C   E   ​​​​​​​N   E<br><br><br><br>



B   E   H   I   N   D     T   H   E     S   C   E   ​​​​​​​N   E



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<br><br>Software used:<br>Cinema 4D ,Adobe CC,Octane render,Marvelous Designer,mixamo.com<br><br>Credit:<br><br>Client:OPPO<br>Planning:祖彬<br><br>Creation and direction by SOMEI DESIGN<br><br>Solo production by Somei<br>character design :Mark Chang<br><br>Sound Design&music by : Echoic<br><br><br><br>



Software used:
Cinema 4D ,Adobe CC,Octane render,Marvelous Designer,mixamo.com

Credit:

Client:OPPO
Planning:祖彬

Creation and direction by SOMEI DESIGN

Solo production by Somei
character design :Mark Chang

Sound Design&music by : Echoic



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