书籍装帧设计 荒
上海/平面设计师/9年前/59749浏览
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书籍装帧设计 荒
“荒”，在汉语中意味着广阔的时间与空间，我将这个字作为这套笔记本的名字，希望能赋予它无限的可能性。
一本完整的“荒”笔记本由多本单册组成，单册之间以一种“嵌插”的方式进行连接，用户可以根据自己的需求选择不同功能的单册。
我从中国与日本的传统艺术中获取灵感，利用插画线条，中国书法，复杂的纹样，让整体的视觉风格显得古老而神秘。
I intend to name this set of notebooks, which is composed of multiple single-volume works, “Huang”, which means vast expanses of time and space in Chinese, through which I expect to endow it with infinite possibilities.
The multiple single-volume works are linked together in intercalation mode, which allows users to select single-volume works of different functions according to their own requirements.
Having drawn inspiration from the traditional arts of China and Japan, I take advantage of the lines of illustrations and the complicated pattern of Chinese calligraphy art to keep the visual style of the whole ancient and mysterious.
我进行了各种搭配尝试，让四个系列的封面材料与内页材料均不相同，又具有最佳使用效果。
单册之间使用嵌插方式连接，最后用封套包住。另外封套中的插画图像可以自由更换。
I try a lot to allocate the four series to make the cover materials and inside materials of each series distinct from the others while achieving the optimum applicable effect.
The multiple single-volume works are linked together in intercalation mode, with enclosure cover them. Moreover, the illustration images in the enclosure can be replaced freely.
单册之间使用嵌插方式连接，最后用封套包住。另外封套中的插画图像可以自由更换。
I try a lot to allocate the four series to make the cover materials and inside materials of each series distinct from the others while achieving the optimum applicable effect.
The multiple single-volume works are linked together in intercalation mode, with enclosure cover them. Moreover, the illustration images in the enclosure can be replaced freely.
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