班德斯 × Baneras 多重人格患者 #青春答卷2016#
广州/设计爱好者/10年前/5668浏览
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班德斯 × Baneras 多重人格患者 #青春答卷2016#
2016 SCAU ART INSTITUTE GRADUATE WORK
BRAND DESIGN & EXPERIMENTAL DESIGN
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WORKS | BANDERSA & DISSOCIALIVE IDENTITY DISORDER
AUTHOR | ANSELCHANG
E-MAIL | ANSELCHANG@FOXMAIL.COM
TEAM | VISION STUDIO （ 视传工作室V9成员@张艾斯 ）
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班德斯為一名多重人格患者，這一次的視覺設計主要通過品牌設計與部分實驗藝術的手法來表現。
多重人格(分離性身份識別障礙)（Dissocialive Identity Disorder），簡稱DID。在國內精神病醫院把DID稱為解離癥。
多重人格障礙曾經被認為是一種人格障礙，但它早在1994年就已被重新命名為解離性認同障礙，屬於解離癥的極端類型，比較罕見。根據《精神疾病診斷和統計手冊》的記載，當某個與多個心理過程與意識的其他部分發生分離時，就意味著解離癥將會出現。
這種病發作後，病人無法回憶起一些重要的個人信息（我是誰?我在做什麽?我在哪?）有的人會為自己虛構一個新的身份，他把這個身份當做真實的自己，因此它可以被看作是一個獨立的“人格”，但實際上這個人格是不完整的，因為它沒有經過正常的人格塑造過程。
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Banderas is a multiple-personality patient, and this visual design mainly represents in brand design.
Dissociative Identity Disorder, short for DID, is known as Jieli disease in domestic psychiatric hospital.
Multiple personality was once deemed as a kind of personality impairment, but in 1994, it was renamed as Dissociative Identity Disorder, which belonged to an extreme and rare type. According to Diagnostic and Statistical Manual Mental Illness, when it comes to the separation of psychological process and consciousness in certain part, DID appears.
After the outbreak of DID, the patient is unlikely to memorise certain important information (Who am I? What am I doing? Where am I?) . Some people tend to create a new identity with which they continue to live as his or her real identity. Therefore, It can be seen as a sort of independent “personality”, but in fact, this personality is not complete mainly because it hasn’t went through the process of forming personality.
Font design / 字體設計
< 班德斯幾何字體 >以（Payne Lodz triangle）培恩洛茲三角形圖形為基礎而設計的英文字體。
微妙；幾何；多可能性；悖理與比例逆反的典型體現 。
與多重人格碰撞出不一樣的感覺，是主人公班德斯專屬字體。
Designed the English font based on Payne Lodz triangle.The impossibilities of subtle geometry contain a variety of possibilities, which demonstrates the typical feature of the inversion between paradox and proportion. The various feelings that collide among multiple personalities exclusively belong to its creator Banderas.
< 班德斯幾何字體 >以（Payne Lodz triangle）培恩洛茲三角形圖形為基礎而設計的英文字體。
微妙；幾何；多可能性；悖理與比例逆反的典型體現 。
與多重人格碰撞出不一樣的感覺，是主人公班德斯專屬字體。
Designed the English font based on Payne Lodz triangle.The impossibilities of subtle geometry contain a variety of possibilities, which demonstrates the typical feature of the inversion between paradox and proportion. The various feelings that collide among multiple personalities exclusively belong to its creator Banderas.
Card Design / 名片設計
名片設計采用美國進口750g彩幻紙，字體暗光處理效果采用燙黑金工藝，名片在某種光線強度下能呈現出一種特別的紙張效果，通過一種若隱若現的設計手法，突出隱性人格的設計點，與整套視覺設計做承上啟下的對應。
The business card is designed by a 750g magic paper imported from America. With font dark effect using hot stamping process, the business card shows special paper effect under some kind of light intensity. By means of looming design techniques, it stands out the designing point of hidden personality, which make complementary correspondence with the whole set of visual design.
名片設計采用美國進口750g彩幻紙，字體暗光處理效果采用燙黑金工藝，名片在某種光線強度下能呈現出一種特別的紙張效果，通過一種若隱若現的設計手法，突出隱性人格的設計點，與整套視覺設計做承上啟下的對應。
The business card is designed by a 750g magic paper imported from America. With font dark effect using hot stamping process, the business card shows special paper effect under some kind of light intensity. By means of looming design techniques, it stands out the designing point of hidden personality, which make complementary correspondence with the whole set of visual design.
Experimental art ／ 實驗藝術
註：通過影子的方式，呈現出班德斯內心的人格矛盾與撕裂，想突破在黑暗的"房間"裏面，每一個不同角度不同弧度的影子都是班德斯內心矛盾而不完整的人格，有人想進，有人想出，有人不知道為什麽出現在這裏，有人不知道幾時可以出現。
Note: Through the use of shadow, it demonstrates the inside personality contradiction and outbreak of Banderas dying to break out the “dark room. Every shadow from different angles and arcs represents Banderas’s deep contradiction and incomplete personalities. Some feel like rushing in, while others are desperate to flee ending with the awkward circumstance that some could not figure out why they appear, and others could not vision when it will be their calls.
註：通過影子的方式，呈現出班德斯內心的人格矛盾與撕裂，想突破在黑暗的"房間"裏面，每一個不同角度不同弧度的影子都是班德斯內心矛盾而不完整的人格，有人想進，有人想出，有人不知道為什麽出現在這裏，有人不知道幾時可以出現。
Note: Through the use of shadow, it demonstrates the inside personality contradiction and outbreak of Banderas dying to break out the “dark room. Every shadow from different angles and arcs represents Banderas’s deep contradiction and incomplete personalities. Some feel like rushing in, while others are desperate to flee ending with the awkward circumstance that some could not figure out why they appear, and others could not vision when it will be their calls.
Cloth field work / 布場作品
< 立亼众影 >
展示作品通过几百个不同黑影人头与一个金黄人头来呈现金中众影；多重人格的特质。
“ 我的体内 不止我自己 而是一只不为人知的队 ”
<Li Ji Zhong Yin> exhibits workpieces by combining hundreds of black shadow heads with a golden head to showcase the flow of shadows; the character of multiple personalities. “ Inside my body lies not just myself but a unknown team”.
< 立亼众影 >
展示作品通过几百个不同黑影人头与一个金黄人头来呈现金中众影；多重人格的特质。
“ 我的体内 不止我自己 而是一只不为人知的队 ”
<Li Ji Zhong Yin> exhibits workpieces by combining hundreds of black shadow heads with a golden head to showcase the flow of shadows; the character of multiple personalities. “ Inside my body lies not just myself but a unknown team”.
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