五道营胡同四合院改造“蕊工坊”
中式外衣下的当代艺术
蕊工坊“Xin”店,取“Xin”为题做一家小店,“Xin” 即为新旧的新,也可为用心的心;地理坐标在北京,为国心;雍和宮附近胡同,有佛心;品牌主題的蕊字,是花心;建筑设计的实现,要用心;此为对于“Xin”的理解。
Rui studio “Xin” shop, “Xin” as the title of a store, “Xin” is between the old and the new, but also for the intentions of the heart; geographical coordinates in Beijing, in the heart; near Lama Temple alley, there is the theme of the brand; core word is flower; architectural design to achieve. The heart;This is the understanding of “Xin”.
▼蕊工坊位于北京雍和宫附近的胡同中(建筑外立面)
展示空間的不同在于於,我们在一各中式外壳下以一顆当代艺术心,用雕塑的手法,置于极简空间中一各浮沉的通道,局部镂空空,利用“借景”的艺术形式,突破空间局限,丰富园景,之上有人着一袭白衣行走,形成画面与话题,此雕塑通道正是此空間不可复制的核心,同时也是空間展开设计的原点。
The exhibition space is different from that in each case we Chinese to a contemporary art, with sculpture techniques, a minimalist space and a hollow channel, local time, the use of “borrowed scenery” art form, break through the limitations of space, rich landscape, above the people dressed in white walking and form a picture with the topic, this channel is the core of this sculpture space can not be copied, but also the origin of space design.
▼蕊工坊入口

▼白色通道纯粹干净,只有一字“蕊”在發光,不需要被銘記的事物,無需出現
The white passage is pure and cleam, but, the only character ”Rui”is Luminous . Here, anything unremembered need not appear.
▼中庭里的景观

▼小院内的建筑立面

▼透过窗户可看到远处的雍和宫



▼室内的展览空间




作為一個生活美學空間,它的属性不是一成不變的,那么我們在做整体规划的時候考虑的从空間使用者的角度出發,还給使用者一个合理舒适的空間,并践行維克多·帕帕奈克所提倡的反对無用的設計,給空間做“简”法。
As a life-space,its aesthetic attribute is not invariable . In making a whole programme , we must consider the point of view of the space users and provide them a proper and comfortable space . In practising the “Auti-useless design”theory by Victor Papanek, space should be done subtraction.
▼垂直交通空间

原楼梯狭窄拥挤,穿上衣服的楼梯尺码变更小,只能一人小心通过,但这何尝不是一种快乐。有时候我们总想要把空间做大,但无论多大的楼梯一个人的所占的空间都是一样的,何不把它当作体验桃花源记:”初极狭,才通人。复行数十步,豁然开朗。“中的一种体验呢。
The former stairs are narrow and packed.In some cases, they may be narrow enough to tabe only one person. But it can be looked upon as a pleasure . We are always trying to widen the space . But people can only tabe limited space, no matter how wide the stairs are. “Originally ,the passage is narrow though for a person. And then, after tens-step walk, it is suddenly enlighted.”Please learn through Tao Yuan-min’s prose.

▼天窗和空间中的传统元素


玻璃房最开始是个难题,最后出来的效果却是最好的,顶部开天窗,朝院的那面墙开了大大小小的窗,有时候人需要与天空对话,望望院子里的人,远眺雍和宫。空间需要呼吸,如同人一般。
At the very beginning the glass room is a difficult problem. But its final results are very excellent. With skylight on the roof ,large or small windows on the yard-facing wall, we can have a talk with the sky, have a look at the people in the yard, and have a distant view of Harmony Temple. Space need breathe ,just like human being.

▼从露台上可以享受老北京的时光(还可以闻到雍和宫飘来的佛香)

▼平面图



▼轴测图









































